L come Leonet

Home

Help

Avvenimenti

Bibliografia Internazionale Leonardiana - Ricerche

Protagonisti degli Studi Leonardiani

Info Catalogo

easyweb

Lettura vinciana

COMUNE DI VINCI

XLVI Lettura Vinciana
Leonardo Library
Saturday 22 April 2006, 10.30 a.m.

 

Leonardo's Reinvention of the Female Figure: Leda, Lisa, and Mary

by Jonathan K. Nelson




In portraits, religious and mythological works, and anatomical studies, Leonardo explored and reinterpreted the female figure. His own writings – including several passages on the proper ways to depict women and girls – help us interpret these artistic creations. The poses and body types in Leonardo’s paintings and drawings, and the themes they address, had a major impact on Renaissance art. Previous studies have not considered these individual works as a group, though the importance of certain compositions, especially that of the Mona Lisa, has long been recognized. Several fascinating inventions, such as the pose of the Christ Child who rotates in the arms of his mother, or who plays with the young John the Baptist, have received little attention. These solutions, as interpreted in the paintings of Filippino Lippi, enjoyed great popularity. This attention of Leonardo to children and motherhood, found in several religious works, also informs his variations on the Leda. These creations were among the first to show a completely nude and uncovered female figure. The revolutionary representation the Standing Leda, with prominent and detailed musculature, reflects Leonardo’s anatomical interests as well as his critical response to Michelangelo. These masters transformed the depiction of the female body in European art.

The lecture will be given in Italian

Jonathan K. Nelson: Bio-bibliography

Jonathan K. Nelson was born in New York, where he obtained his doctorate at the Institute of Fine Arts, under the supervision of Sir John Pope-Hennessy. Since 1994 he has been a professor of art history at Syracuse University in Florence; also in Florence, he was a fellow at the Fondazione Roberto Longhi and at the Harvard University Center for Italian Renaissance Studies “Villa I Tatti.” He co-curated two major exhibitions in Florence, “Venus and Love. Michelangelo and the new ideal of beauty” (Galleria dell’Accademia, 2002) and “Botticelli and Filippino” (Palazzo Strozzi, 2004). Starting with his first public conference, in 1990 in Vinci, on the sculptor Pierino da Vinci, he has lectured and published widely, especially on fifteenth and sixteenth century Florentine art. Among his books are Plautilla Nelli: The First Women Painter in Florence (2000) and Michelangelo: Poesia e Scultura (2003). Recently co-authored, with Patrizia Zambrano, a monumental study of Filippino Lippi (2004), where he explored the painter’s relationship with Leonardo. Together with the economist Richard Zeckhauser, he is now completing The Patron’s Payoff, a book on Italian Renaissance patronage.


Letture Vinciane

Every year, around the middle of April, the city of Vinci remembers the birth of Leonardo with the Celebrazioni Leonardiane, or Leonardo Celebrations, whose most significant event is the Lettura Vinciana.Since 1960 the Biblioteca Leonardiana has entrusted the most meaningful exponents of Da Vinci historiography with the task of examining one of the manifold sectors Leonardo developed in his work. The continuity of this event and the lecturers’ undisputed professionalism (none of whom could be quoted without doing wrong to the others) have turned the Lettura in a cultural event of great interest, in which the fundamental tendencies and the main protagonists of Leonardo studies in the last decades emerge.

The words Augusto Marinoni, a famous Leonardo scholar, opens the I Lettura Vinciana in 1960 with suggestively evoke the purpose in giving birth to the Letture Vinciane:

"The project we are on the point of undertaking and that we hope will be able to continue to be renewed every year, aims at being an essay-reading that illustrates a single page of Leonardo’s manuscripts and, at the same time, can grasp – throughout all his works – the ramification and the developments of his thought, in order to disperse, if possible, the ambiguities every isolated fragment is often wrapped in, as if it were surrounded by a halo which fascinates above all those who love finding in it the pretexts for their fantasies."

(In: Augusto Marinoni, L’essere del nulla, I Lettura Vinciana, 24 April 1960)

List of the Letture Vinciane

I. Augusto Marinoni, L'essere del nulla, 24.4.1960
II. Ludwig H. Heydenreich, Leonardo architetto, 15.4.1962
III. Anna Maria Brizio, Razzi incidenti e razzi refressi, 21.4.1963
IV. Ladislao Reti, Tracce dei progetti perduti di Filippo Brunelleschi nel Codice Atlantico, 15.4.1964 V. Nando De Toni, I rilievi cartografici per Cesena ed Urbino nel manoscritto "L" dell'Istituto di Francia, 15.4.1965
VI. Valerio Mariani, Le idee di Leonardo sulla pittura, 16.4.1966
VII. Mario Salmi, Mito e realtà di Leonardo,15.4.1967
VIII. Carlo Pedretti, Le note di pittura di Leonardo nei manoscritti inediti a Madrid, 15.4.1968
IX. Kate T. Steinitz , Leonardo architetto teatrale e organizzatore di feste, 15.4.1969
X. Carlo Maccagni , Riconsiderando il problema delle fonti di Leonardo, 15.4.1970
XI. Eugenio Garin, La città in Leonardo, 14.4.1971
XII. Cesare Vasoli, Le lalde del sole di Leonardo, 15.4.1972
XIII. Corrado Maltese, Gusto e metodo scientifico nel pensiero architettonico di Leonardo,15.4.1973
XIV. Augusto Marinoni, I codici di Madrid (8937 e 8936), 20.4.1974
XV. Carlo Pedretti, "Eccetera:perché la minestra si fredda", 15.4.1975
XVI. Luigi Firpo, Leonardo architetto militare e civile, 15.4.1976 *
XVII. Kenneth Clark, Leonardo e le curve della vita, 15.4.1977
XVIII. André Chastel, Le Madonne di Leonardo, 15.4.1978
XIX. Carlo Pedretti, 'Infra l'anatomia e 'l vivo' (W. 12631 r; K/P 89 r), 13.9.1979
XX. Gustina Scaglia, Alle origini degli studi tecnologici di Leonardo, 20.4.1980
XXI. Romeo De Maio, Leonardo e Michelangelo nel mito della rivalità *
XXII. Carlo Pedretti, 'La scientia di questi obbietti è di grande utilità...', 16.5.1982
XXIII. Ernst H. Gombrich, Leonardo e i maghi: polemiche e rivalità, 16.4.1983
XXIV Giulio Carlo Argan, Leonardo e Raffaello, 14.4.1984 *
XXV. Pietro C. Marani , 'Circulo dentato ortogonialmente': Leonardo, gli ingegneri e alcune macchine lombarde, 3.4.1985
XXVI.Marisa Dalai Emiliani, 'I corpi regolari son 5 e partecipanti infra regolari e lli inrigolari sono infiniti' 19.4.1986 *
XXVII. Martin Kemp, Leonardo e lo spazio dello scultore, 20.4.1987
XXVIII. Paolo Galluzzi, Leonardo e i proporzionanti, 16.4.1988
XXIX. David Allan Brown, Madonna Litta, 15 aprile 1989
XXX. Gigetta Dalli Regoli, Mito e scienza nella "Leda" di Leonardo, 15.4.1990
XXXI. Luisa Cogliati Arano, Leonardo e la rappresentazione della terza età, 15.4.1991
XXXII. James Beck, I sogni di Leonardo, 15.4.1992
XXXIII. Roberto Paolo Ciardi, L'immagine di Leonardo, 15.4.1993
XXXIV. Alberto Asor Rosa, Riflessioni su alcuni aspetti letterari della prosa di Leonardo da Vinci, 16.4.1994 *
XXXV. Gianni Carlo Sciolla, Leonardo e Pavia, 29.4.1995
XXXVI. Amelio Fara, Leonardo e l'architettura militare, 13.4.1996
XXXVII. Frank Zöllner, La Battaglia di Anghiari: fra mitologia e politica, 19.4.1997
XXXVIII. Kathleen Weil-Garris Brandt, Leonardo e la scultura, 18.4.1998
XXXIX. David Alan Brown, Leonardo apprendista, 17.4.1999
XL. Mark Elling Rosheim, L'automa programmabile di Leonardo (Codice Atlantico, f. 812 r, ex 296 v-a), 15.4.2000
XLI. Francis Ames-Lewis, La matita nera nella pratica di disegno di Leonardo da Vinci, 21.4.2001
XLII. Pietro C. Marani, La Vergine delle Rocce della National Gallery di Londra: maestro e bottega di fronte al modello, 13.04.2002
XLIII. Domenico Laurenza, Leonardo nella Roma di Leone X (c. 1513-16). "Quest'altro m'ha impedito l'anatomia col papa biasimandola e così allo spedale" (Codice Atlantico, fol. 500 r), 12.04.2003
XLIV. Carlo Perdetti, Le macchie di Leonardo: "perché dalle cose confuse l'ingegno si desta a nuove invenzioni" (Libro di pittura, f. 35 v, cap. 66), 17.04.2004
XVLV. Françoise Viatte, "Della figura che va contro il vento". Il tema del soffio nell'opera di Leonardo da Vinci, 16.04.2005

The XLVI Lettura Vinciana held by Jonathan K. Nelson on Leonardo's Reinvention of the Female Figure: Leda, Lisa, and Mary and taking place on 22nd April 2006, Vinci, Biblioteca Leonardiana, will be published next year.

  * not published